Forrest noticed the object was hovering when it was above the yard, something he knew was impossible for an aircraft.
A Pilot’s Fear of Flying
An Air Accident and a Childhood Dream Trigger Memories of Contact with ‘Ant People’
Suzy Hansen © 2016
‘When I started flying airplanes at the age of 15, I had the feeling I had done this before – this is not at all strange to me – it’s very familiar.’
Forrest Richards, retired pilot
A Sudden Fear of flying
In 1991, Forrest Richards, Boeing 737 pilot for United Airlines, USA, was a man facing a dilemma. At what turned out to be a critical turning point in his life, he developed a fear of flying.
‘It came on suddenly. At the time, I had been employed for two years as a line check airman training new pilots to fly jet airplanes – either Captains or First Officers – letting them experience the real aircraft, versus the flight simulator. I know I was becoming exhausted with it, but this strange change in me was much stronger than was appropriate for that level of exhaustion. I mean, it was easy for me to just stop teaching and return to regular line flying. But I had to stop flying altogether. There was a fear deep inside of me that I couldn’t release.’
United Airlines Flight 585
Around this time, on March 3, 1991, a scheduled United Airlines passenger flight from Denver to Colorado Springs carrying twenty passengers and five crew members onboard, experienced a rudder problem while on final approach to Colorado Springs Municipal Airport. It caused the aircraft to roll over and enter an uncontrolled dive, striking the ground in an almost vertical position in a park some four kilometres from the airport. The aircraft burst into flames and there were no survivors.
Therapy Uncovers a Childhood Dream
Shortly after this tragic air accident Forrest sought therapy about his difficulty with continuing flying. The emotional impact of the accident had intensified his fears of being in a crash himself. Through working with the therapist, Forrest uncovered a central issue to this fear – a dream he’d had when he was five years old in 1950, which involved a fear of an aircraft crashing. He had apparently carried a fear of flying and crashing throughout his life at a deep subconscious level, and he now connected that dream with the crash of Flight 585 that had happened just a few weeks prior. Forrest was required to keep a journal over a period of time, consisting of some sixty pages of writing in which he documented his feelings and related issues. Eventually he was able to resolve these issues, overcoming his fears and returning to work as a pilot within 2 ½ – 3 months.
In therapy sessions, Forrest recounted the ‘dream’ he’d had in childhood in which he recalled standing in his backyard watching an airplane approach. Curiously, the pilot seemed to be ‘talking’ to him for several minutes as the airplane circled around his back yard.
‘I don’t recall the exact wording as such but I remember the message I got from him – that his airplane was in danger and he was afraid it was going to crash, and I felt that too. I also felt strongly that he and I, were the same person and that’s when I started feeling sad for that pilot.’
In the ‘dream’, Forrest watched a small single engine airplane, no more than ten feet long, coloured silver and with an open cockpit, hovering above the southern boundary of his backyard at about twenty feet above the ground. The pilot and Forrest exchanged thoughts or ideas, rather than yelling out to each other, and this aspect stood out clearly in young Forrest’s memory of the ‘dream’. He recalled the airplane eventually moved away and disappeared.
Investigating the ‘Dream’ Memory through Regression
In 1995, several years after undertaking therapy, it suddenly and serendipitously occurred to Forrest that the childhood dream could actually be a false or incorrect memory of a more in-depth and detailed event. (NB. In contact experiences, false memories are sometimes referred to as ‘screen memories’, either incorrectly recalled memories, or alternative memories implanted in the subconscious mind by alien entities in contact situations, often to protect the human participant). He decided to consult a qualified hypnotherapist to investigate the dream memory.
The regression therapist guided Forrest back to 1950, when he was five years old and living with his parents and three sisters in Long Beach, California, USA, asking him to focus on the time of that dream. At this age, Forrest was already familiar with many aircraft and he would often sit in his yard and watch them in the flight pattern at the Long Beach airport, just two miles away.
(regression transcript): ‘I’m standing in the middle of my backyard. And there is an airplane! It has a pilot in it and he’s circling around my backyard, except he is going real slow. He is at the controls and I can see his arms and shoulders sticking up above the cockpit and he’s wearing a funny helmet.’
The ‘screen memory’
Forrest and the pilot looked intently at one another, and he somehow knew the pilot wanted to talk to him. He described watching as the airplane circled around the edge of his yard from east to south, and at this point he made the interesting comment that the airplane ‘must be facing the other way’ because it ‘looked different’. His observations of the airplane now changed somewhat: he described its shiny silver-coloured metal and that it was not very big, and in fact he was no longer sure if it had wings or propellers, but it had a large fuselage, leading him to think it must be a small jet. The pilot had conveyed to him (during the experience as a child) that the airplane was moving too slowly and running low on fuel, and yet Forrest noticed the object was actually hovering when it was above the yard, something he knew was impossible for an aircraft.
Forrest could see the pilot leaning out of the cockpit looking right at him, telling him about something dangerous that indicated to Forrest the airplane might crash. He noted the pilot had seemed happy when he first saw Forrest, but quickly became scared – an incongruous memory. He could not see the pilot’s mouth moving and received these communications as thoughts. The airplane moved back to the position where he had first seen it, and he somehow ‘knew’ the airplane would not be there very long.
At this point Forrest described a dual perception, where he felt as if he and the pilot were one-and-the-same. He commented the pilot did not look like him, but he postulated that maybe the pilot might even be him when he is older, but that this thought seemed ‘kind of silly’. Nevertheless, he could feel the pilot’s emotions of being scared, to the extent that Forrest believed the pilot might crash and die. Forrest watched as the airplane moved behind a group of trees beyond the neighbour’s house, again leading him to believe the airplane was about to crash, and he felt great sadness.
‘I want to keep watching him to see what he is doing. (Long pause) I see the airplane changing and I don’t believe it! I think it’s changing into a round … like a flying saucer! It’s lowered a stairway down to my yard and whoever’s inside wants me to come up there. I don’t want to go!’
Eventually curiosity got the better of Forrest and he mounted some twenty steps through a hole in the centre of the bottom of the craft, now determined to go inside to see what would happen. It was dark inside the craft, ‘like night-time, like being in a movie theatre, and the screens are bright enough to see what’s going on’, and once his eyes adjusted to the dim light, he saw there were ‘people’ in there watching the screens. Significantly, Forrest felt as if he already knew them, and they knew him too.
Forrest established that he was on the lower floor of a two-storey craft. The occupants reminded him of ants because of the shape of their heads and dark eyes, but their torsos were otherwise human-like in form. He described their skin as reddish-brown and they had antennae or feelers like ants, which protruded from their foreheads. They were not wearing any clothes that he recalled.
Forrest felt the entities knew he was now on-board the craft, but they didn’t pay too much attention to him, allowing him to quietly observe them from behind as they continued looking at their screens. About eight dark screens were positioned on consoles around the interior perimeter of the craft, each with red and white lines around the edges. Forrest had the impression that one entity in particular was monitoring what was going on in his neighbourhood, and as his eyes adjusted to the red light emitted from the screen, he realised he was looking at a bird’s-eye-view of his street. This was confirmed when he saw movement on the screen, indicating the craft was drifting over his neighbourhood and he observed telephone poles, houses, and people’s backyards going by.
‘They’re very friendly to me. I feel like I’ve been here before and they’re my friends … like I’ve known them from another time. I feel very comfortable in here. Now they’ve put up a little chair for me to sit on and watch over this one guy’s shoulder … watch the screen. That’s nice.’
The craft moved off to the south, passing over the city, and young Forrest was captivated by his aerial view. They eventually floated over the beach and out over the sea, and Forrest expressed his fear of water, telling the ‘ant’ entity in front of him that he didn’t want to go out too far. The craft continued on a broad curving path back towards Forrest’s neighbourhood, passing right over Long Beach Airport on the way, where Forrest observed airplanes taking off and other aircraft moving on the tarmac.
‘Now they’re gonna pull up to my yard and let me out, I think. I’m going down the stairway and now I can see the flying saucer a little more clearly … it almost looks like a toy. I’m laughing and grinning because I had a really fun ride! I’m not supposed to tell anybody. All I have to do is pretend like it didn’t happen … I’m on the ground … and now I can’t decide if that pilot was really real. I think they told me they would be back again another time.’
A Memory Trigger Placed in the Subconscious?
Forrest’s first experience of flying was at the age of seven when his father took him for a flight in a Piper Cub. He remembered feeling disappointment that it wasn’t as fantastic as he had imagined or expected it to be – an unusually low-key response from a child who had not flown before and who loved watching aircraft.
Forrest commented that the black screens he observed on-board the ant people’s craft, with glowing red lines, reminded him of when he was in the Navy, inside the darkened radar room where the screens also glowed red. He realised it had looked very familiar to him – immediately comfortable – ‘like going home’.
It is possible a screen memory of an airplane was used by the ant people to pique Forrest’s interest, so that when the object appeared from behind the trees, now appearing as a flying saucer, Forrest was less likely to be scared and more likely to go onboard. The memory of an aircraft was also a safer one for the child to store in his subconscious and recall as a dream. He stated, ‘I think they told me they would be back again another time’. This proved correct and Forrest has since uncovered other contacts that took place in childhood.
Forrest’s childhood dream memory finally became reality, an account of an actual contact experience on-board a craft. A significant component of this experience is his description of a ‘pilot’ flying a small ‘airplane’, who expressed a fear that he was going to crash, and Forrest felt he and the pilot were one-and-the-same. We could speculate that this portion of the contact experience, later recalled as a dream, not only had the dual purpose as a screen memory to reduce fear at the time of the experience, but was possibly also designed to act as a trigger, initiating a powerful response – a fear of flying – at a later point in his life. In fact, this fear quite suddenly occurred forty-one years later, and as a result Forrest recalled the ‘dream’ in therapy, and sadly it was intensified and initiated by an actual air crash. In discussion, Forrest stated, ‘This is an interesting way to draw attention to these dreams and memories, by using a fear or a terror to get my conscious self to look at this.’ It was a wake-up call, and spurred Forrest into investigating the dream through regression, a life-changing experience revealing contact with an alien species.
Other Encounters with the Ant People
‘Ant-like’ entities have been reported by experiencers/abductees worldwide for decades. Some researchers have speculated these are actually descriptions of Greys, however many of the reports contain the distinct descriptions of antennae or feelers protruding from the foreheads of these entities, and their reddish-brown skin.
One such experiencer is ‘Peter’, from Sydney, Australia, who I have interviewed. Peter recalled an experience with a female entity with unusual eyes, and investigated it through regression therapy. Significantly, this revealed a childhood contact experience at age seven when Peter was taken on-board a craft and physically examined. His descriptions of the entities are remarkably similar to Forrest’s.
Peter described standing in a field on a bright sunny day when he saw a yellowish ‘half-circle’ object with a black door appear over the field, and land. A ramp with ‘little easy steps’ extended from it; Peter felt fascinated and unafraid, and was compelled to climb the steps and enter the object. He described several entities looking down at him, ‘like ants … a big ant’s head … big beaky nose … an oval body … and thin furry claws’, and the entities were ‘talking in his head’. The ant creatures performed a healing procedure on the young Peter involving a silver object pointed at his face and body, emitting rapidly spinning blue light, which split into fine glass-like threads of colour that pierced his skin ‘like a million needles’, but painlessly. This was followed by a more blissful calming experience and the young Peter was told they had been ‘fixing his energy’. Peter was able to portray these ant-like entities through the assistance of an artist.
I have had my own experience with these ‘ant people’. In my book, The Dual Soul Connection – The Alien Agenda for Human Advancement, Chapter 17, Replacing Implants, I describe being picked up by a small craft carrying five Greys and a tall ant entity, a species I had no recollection of seeing before. I was taken to a larger craft, and having entered the hangar area, I noticed a number of these ant people were working on in the hangar. I asked one of the Greys about this and he responded that this species carries out research with the Greys, and those present in the hangar were pilots of craft.
‘I couldn’t resist staring at the remaining occupant who captured my attention. His physical features were unlike the Greys, with large black teardrop-shaped eyes, giving him an ant-like appearance. The entity met my gaze directly and passively, and I found it difficult to drag my eyes away from him.’ His skin was reddish-brown and he wore a close-fitting head covering, from which two antennae protruded. The ant entity’s demeanour of calmness and serenity, despite his unusual, if not quirky physical appearance, left a lasting impression on me.
The Ant People in Mythology
Mention of the ‘Ant People’ appears in mythology and folklore across several continents, including Africa, the Middle East (Egypt), and America. In particular, the Ant People feature in the legends, history, mythology, and rock drawings of the Hopi Indians of Northern Arizona, USA. Hopi lore tells how, in the distant past, the Earth underwent a series of cataclysms or cycles in which civilisations were destroyed. Story has it that during two of these global cataclysms, members of the Hopi tribe were guided by an odd-shaped cloud during the day and a moving star at night that led them to the sky god named Sotuknang. He took them to the Ant People, a race of small humanoid beings that lived deep underground who provided the Hopi with food and shelter. Some believe the Hopi Anu-naki, or ‘ant friends’, were interstellar travellers that came to Earth from the heavens.
It is significant that much of Hopi lore relates to constellations, other planets in the solar system, and extraterrestrial life.
Drawings copyright © to the artists: Forrest Richards and Thomas Hansen